Tuesday, February 22, 2011

Battle of Okehazama: Takaneyama Map


I received this photo map of Matsui Munenobu's last camp at Takaneyama. During the Battle of Okehazama, Matsui Munenobu moved his camp from Makuyama to Takaneyama which was the highest point on the battlefield.

As you can see from the photo Takaneyama faces towards the Oda forts of Tange, Zenshoji, Nakajima, and well as Narumi Castle (occupied the the Imagawa). On a clear day, the view is breathtaking. Many thanks to Mr. Yukio Kajino who provided me the map. As for Takaneyama itself, it is located near the Arimatsu Okehazama Battlefield.

Nobunaga no tame!

Monday, February 14, 2011

Nobunaga, Hideyoshi, and Fishing

David D. Neilson's Society at War provided a passage from the Bukoyawa on a day of fishing in Owari.

Neilson (p. 94).

"The next morning he summoned his official in charge of the river (kawa yakunin) Murase Heiko, and they went out to catch fish in the Furukawa River. They dammed up the river and removed water until the water level was very low. Ichihashi Denzaemon and Sawaki Tohachi held the bridles of the horses and Kitokichi (=Toyotomi Hideyoshi), wedging his kimono between his buttocks and paying no attention to the cold, waded into the river with pail in hand. He got mud splashed all over him and looked completely miserable. Lord Nobunaga was sitting in the river and was very good at catching carp [tossing them into the bucket held by Hideyoshi]. The carp caught in the Furukawa River was exceptionally tasty and Lord Nobunaga was greatly delighted."

Tenka no tame!

Tuesday, February 1, 2011

Ota Gyuichi, Oze Hoan, and the Bukoyawa

Here is more from Society at War by David D. Neilson. This section of his paper will sure raise your eyebrows (pp. 31-33).

"Perhaps the most radical and intriguing theory regarding the possible motivations behind the creation the Bukoyawa beyond the simple recording of the Maeno Clan history is a hypothesis put forth by one such amateur, Inunoe Tsutomu, in his book Mo Hitotsu no Sengoku Jidai, or 'One More Sengoku Age' (I do have a copy of the book). He makes the interesting claim that in addition to penning his own works, Ota Gyuichi had considerable influence over both Oze Hoan's Shincho Ki and more indirectly, the Bukoyawa. The Bukoyawa connection is plausible if you accept Inoue's theory that the name Ota Magozaemon that appears in both the Shincho Koki and the Bukoyawa was simply another name used by Ota Gyuichi. He also says that Magozaemon was a good friend of Magokuro, Maeno Shoemon's older brother, hence the possibility exists that there wasa sharing of information between Gyuichi and the Maeno/Yoshida families, perhaps over several generations on the Maeno side.

Ota Gyuichi was busy writing the Shincho Koki at roughly the same time that Yoshida Katsukane was working on the Bukoyawa. The Shincho Koki was intended to be Nobunaga's official history and as such, could not be too critical of Nobunaga for fear of Bakufu censorship which was sometimes accompanied by harsh punishments upon both authors and publishers alike. As this was the early Edo Period, the Tokugawa Bakufu was also compiling the Fudoki, its own version of events that because of the Bakufu's political primacy was to become the official history of the unification age.

Inoue claims that the Bukoyawa was also written with Gyuichi's collusion and that all three works are mutually supporting. He claims that this cooperation was intended to preserve historical facts that could not be included in or his own work and that were being overwritten by the victor's history that was the Fudoki. If this is true, it would mark the Bukoyawa, the Shincho Koki, and the Hoan Shincho-Ki as subversive histories that were intended to be oppositional to the Tokugawa Bakufu's version of events.

Inoue believes that Gyuichi's methodology was a follows: when the same events appear in both the Shincho Koki and the Hoan Shincho Ki and when they differ as to anything number-related, dates, koku, people, etc., the figures in the Hoan Shincho Ki are correct. He claims that Gyuichi did this intentionally and that the section he or she was currently reading is purposefully inaccurate. He claims that when Gyuichi wanted to convey something important, but could not be truthful because of the official nature of his work and was unable to criticize Tokugawa Ieyasu or the Tokugawa Bakufu openly, or contradict the Fudoki, that at the point in the text, he chose to insert mistakes to alert the informed reader to his subversive message. He then also inserted irrelevant digressions and stories at those same points to further distract the censors or overly-curious but uninformed readers from discovering his secret intent.

So, according to Inoue, if one wants to get a full and true picture of the activities that took place under the Oda and Toyotomi administrations, free from the omissions, embellishments and untruths that the Tokugawa Bakufu wrote into the Fudoki, one must read the Shincho Koki, Hoan's Shincho-Ki, and the Bukoyawa as one text. Each is incomplete and contains contrary or new information that is not contained in the others. He claims that Gyuichi's Shincho Koki is the skeleton, Hoan's Shincho-Ki is the flesh and the Bukoyawa is the parts, or details that flesh out the whole. While Inoue has come up with some pretty wild theories that are not discussed here, and his argument that the three works are intentionally intertwined may initially seem far-fetched, he has done a great deal of very tedious and precise comparisons that lend some credence to his theory. There is just enough substance to his ideas that if nothing else, demonstrates that they merit further investigation."

If Inoue theory is correct, it changes everything. My first thought came to mind was Nagashino and the guns. I like Inoue's theory since it radically different, but also agree that it needs more research on the matter.


Nobunaga no tame!

Thursday, January 27, 2011

Okehazama Senki Final Volume


Earlier this month I was finally able to buy Hideki Miyashita's Okehazama comic, Okehazama Senki. Volume five was the last in the series and I have to admit the comic was not bad at all. According to Mr. Yukio Kajino by e-mail, Miyashita spent a lot of time around the Okehazama battlefield and his work shows.

There were a couple things that caught my attention. One, Imagawa Yoshimoto was a lot slimmer and younger in the comic. In fact, Yoshimoto reminded me of Gackt believe or not. Comics are meant for enjoyment and I did not get too carried away from the historical inaccuracies. Second, people such as Yanada Masastuna, Matsui Munenobu, Okabe Motonobu, Hattori Tomosada appeared. Which I was pleased. Third, was the story in general. The five volume set covered both Nobunaga and Yoshimoto's career, a major plus in my opinion. The rain, intelligence, and the battles were done in good taste.

I am pleased to own all five and have to say, a must have for those who love Nobunaga and Okehazama in general. A special thanks to Mr. Yukio and Akitsugu Kajino for the comics. As for next month, more on Society at War.

Tenka no tame!

Thursday, January 20, 2011

Atsuta landmarks at the Arimatsu Okehazama Battlefield

As you know I was able to take many photographs during my personal Okehazama Battlefield tour with Mr. Yukio Kajino. The Nobunaga "victory wall" stands out very nicely at the Arimatsu Okehazama Battlefield Park.


This landmark represents Nobunaga's miracle Okehazama victory.
Here is the actual Nobunaga "victory wall" located at Atsuta Shrine. A must see in my opinion.

This small pond represents Ise Bay and beautifies the park. The Okehazama staff really took the time and effort to create a first-class park.

I understand that Mr. Yukio Kajino did have a lecture last weekend in Nagoya discussing the Battle of Okehazama. Hopefully it went well and looking forward in the future to meet with him again. Next month, I plan to post more on Neilson's paper, Society at War.

Nobunaga no tame!

Monday, January 10, 2011

Young Hideyoshi

If you own a copy of David D. Neilson's dissertation Society at War: Eyewitness Accounts of Sixteenth Century Japan, you know there is ton of juicy information. Today, I would like to share with you a story about young Hideyoshi.

Neilson (p.99) Source Bukoyawa?

"When Kyuan-sama (=Kitsuno, Nobunaga's wife/concubine), was in Ikoma Yashiki, he stayed close to her and kept her entertained (lit. flattered), her. Because he was good at talking, even in front of her, he unashamedly told sexual stories which usually, people [would] have difficulty telling [in front of such a refined person]. Once, when Lord Nobunaga came to Ikoma yashiki, Tokichiro was called before him to keep him company. Tokichigi (=Tokichiro=Hideyoshi), did not hesitate even in front of Lord Nobunaga., and as usual, told comical stories with many [hand] gestures which pleased Lord Nobunaga. Although he was small, he directly asked Nobunaga to hire him. Hachiemon, who happened to be present, could not help but say; 'Who the hell do you think you are? A little guy like you doesn't have the physical strength [necessary to be a soldier], and your sword technique is doubtful [as well].' Hachiemon tried to placate him, but Tokichiro asked Kyuan-sama to intercede with Lord Nobunaga on his behalf, saying 'I will do anything, even caring for the horses (umano kuchitori).' Her (Kitsuno-sama's) attendant recommended him to Lord Nobunaga. He became a courier for messages between villages (guson, lit. errand boy), [in Owari] and performed smartly. He finally ended up working in Kiyosu Castle. This was the beginning [of Hideyoshi's meteoric rise]."

Tenka no tame!

Saturday, January 1, 2011

Happy New Year

Happy New Year to all and God Bless! Today, we will celebrate the New Year Nobunaga style.

Ota Gyuichi's Shincho-Ko ki translated passage by Jeroen Lamers (Japonius Tyrannus, p. 32).

"On the first [day] of the First Month, all of the warriors from Kyoto and its surrounding provinces came to Gifu to present themselves before Nobunaga. Nobunaga hosted a banquet where each quest drank three rounds of sake. After the Provincials ['takokushu', lit. 'men from other provinces'] had left, there was another feast, which only His Lordship's Horse Guards were allowed to attend. During this second banquet, some extraordinary and unprecedented things were presented as accompaniments to the sake. These were the heads of:

Item Asakura Sakyo no Daibu Yoshikage
Item Azai Shimosuke [Hisamasa]
Item Azai Bizen [Nagamasa]

Their heads had been taken in the previous year [1573] in the Northern Provinces. The banquet began when these heads, coated with gold paint and placed on square trays, were brought out with the sake. Everybody sang a song for His Lordship and had a merry time; Nobunaga himself was happy that everything was under control."

This is how you should celebrate the New Year.

Nobunaga no tame!
Tenka no tame!